There may be several appropriate framing solutions for one painting, thus no absolute "right" in frame design -- though many "wrongs". Consideration is given to the artwork, the client's aesthetic preferences and, possibly, the ultimate setting
for the picture.

A study of the artist's intent is central. The frame must bring harmony to the mood, with a balance which enhances, embellishes, and complements without distracting or overpowering the subject. The composition, size, shape, weight and proportion determined by the artist, as well as the movement, colors, medium, and technique are important considerations in designing the frame.

As fine art is passed on from one collector to the next, from one generation to another, regard to the setting is secondary to the careful consideration given to the relationship of frame to painting.

After client consultation and a study of the artwork, a cross-section drawing of the frame profile is drafted to scale with ornamentation, embellishment and finish descriptions given. If appropriate, a matting compilation is designed and surface treatments noted.

"Of all the transgressions of good taste and common sense that have been made in the sacred name of art, those connected with the framing of pictures are perhaps the most flagrant.."

-- Peyton Boswell, art critic (statement of the early 1920's)